Vlad Ster: speling is imprtant

poza 16

somtimes bad speling is good.

contemporary is now,

nw is contemporary,

now is nw.

wht is good or bad?

take spelling for instance:

you ar here nw.

you are hre.

you ar.


you already paid for this

bed edited movie, even if you did not want ths.

thre are bad actors, good actors, skinny girls,

some fat, slutty, straight, men, gay;

a movie about yourself, your moments.

a movie whre everyhting repets

hundreds and thousands of sigarettes,

the movie gets shaped as a circle,

did you notice it found a way to touch your soul?

you did not pay for ths.

over and ovr again.

while they are smoking

while they are getting drunk

ovr and over again

the world creates herself.

the movie creats itself.

and you ar here.

the movie keeps on going.

it touched it already.

be an artist, even of you ar not meant to be.

be important, bcause you are not imprtant.

violence, violence, violence, responsible politics, responsible,

communication is the most imprtant thing.

the movie touched you.

a movie with no reason.

meaningful messages:

achieve, then target.

pay up front, after ask fro what.

feel special, evn if you arn’t special.

be social, it is good for you.

we focus on social, bt we love violence,

subjective violence.

accept that and be responsible.

you ar not responsible.

he is not responsible.

they ar responsible.

responsible, we are responsible.

violence, responsible.

get educated, eduketion is good.

edukation si the future.

write, talk, draw, get drunk, care,

let what you love do you.

live by wht others have said.

language is the midium.

english is the main language.

the things is the language.

no aesthetics is aesthetics.

poetry is not aesthetic.

there is no reason.

do what you love,

language is.

poetry is nw.

poetry is.


I for I

Each man

reacts in its own way;

Each man

reacts in its own way;

the human body is strange

and flawed

and unpredictable.

A dumb western comedy

Never able to separate life from art.

Vlad Ster (1992) –  By rejecting an objective truth and global cultural narratives, Vlad uses a visual vocabulary that addresses many different issues. The work incorporates time as well as space – a fictional and experiential universe that only emerges bit by bit. By emphasizing aesthetics, he seduces the viewer into a world of ongoing equilibrium and the interval that articulates the stream of daily events. Moments only exist to punctuate the human drama. Multi-layered images arise in which the fragility and instability of our seemingly certain reality is questioned.

Polaroid by Vlad Ster.